ICLC2023 paper (#306)

Paper submission for the international conference on live coding
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{"id":"zhangDynamicFMRIStudy2006","abstract":"Functional MRI (fMRI) combined with the paired-stimuli paradigms (referred as dynamic fMRI) was used to study the illusory double-flash effect on brain activity in the human visual cortex. Three experiments were designed. The first two experiments aimed to examine the cross-modal neural interaction between the visual and auditory sensory systems caused by the illusory double-flash effect using combined auditory (beep sound) and visual (light flash) stimuli. The fMRI signal in the visual cortex was significantly increased in response to the illusory double flashes compared to the physical single flash when the inter-stimuli delay between the auditory and visual stimuli was 25 ms. This increase disappeared when the delay was prolonged to 300 ms. These results reveal that the illusory double-flash effect can significantly affect the brain activity in the visual cortex, and the degree of this effect is dynamically sensitive to the inter-stimuli delay. The third experiment was to address the spatial differentiation of brain activation in the visual cortex in response to the illusory double-flash stimulation. It was found that the illusory double-flash effect in the human visual cortex is much stronger in the periphery than the fovea. This finding suggests that the periphery may be involved in high-level brain processing beyond the retinotopic visual perception. The behavioral measures conducted in this study indicate an excellent correlation between the fMRI results and behavioral performance. Finally, this work demonstrates a unique merit of fMRI for providing both temporal and spatial information regarding cross-modal neural interaction between different sensory systems.","author":[{"family":"Zhang","given":"Nanyin"},{"family":"Chen","given":"Wei"}],"citation-key":"zhangDynamicFMRIStudy2006","container-title":"Experimental Brain Research","DOI":"10.1007/s00221-005-0304-7","ISSN":"0014-4819","issue":"1","issued":{"date-parts":[[2006,6]]},"page":"5766","title":"A dynamic fMRI study of illusory double-flash effect on human visual cortex","type":"article-journal","URL":"http://dx.doi.org/10.1007/s00221-005-0304-7","volume":"172"},
{"id":"zimmermannMiningVersionHistories2005","abstract":"We apply data mining to version histories in order to guide programmers along related changes: \"Programmers who changed these functions also changed....\" Given a set of existing changes, the mined association rules 1) suggest and predict likely further changes, 2) show up item coupling that is undetectable by program analysis, and 3) can prevent errors due to incomplete changes. After an initial change, our ROSE prototype can correctly predict further locations to be changed; the best predictive power is obtained for changes to existing software. In our evaluation based on the history of eight popular open source projects, ROSE's topmost three suggestions contained a correct location with a likelihood of more than 70 percent.","author":[{"family":"Zimmermann","given":"T."},{"family":"Zeller","given":"A."},{"family":"Weissgerber","given":"P."},{"family":"Diehl","given":"S."}],"citation-key":"zimmermannMiningVersionHistories2005","container-title":"Software Engineering, IEEE Transactions on","container-title-short":"Software Engineering, IEEE Transactions on","DOI":"10.1109/tse.2005.72","ISSN":"0098-5589","issue":"6","issued":{"date-parts":[[2005,6]]},"page":"429445","title":"Mining version histories to guide software changes","type":"article-journal","URL":"http://dx.doi.org/10.1109/tse.2005.72","volume":"31"},
{"id":"zittrainFutureInternetHow2009","author":[{"family":"Zittrain","given":"Jonathan"}],"citation-key":"zittrainFutureInternetHow2009","ISBN":"0-300-15124-1","issued":{"date-parts":[[2009,3]]},"note":"Published: Paperback","publisher":"Yale University Press","title":"The Future of the InternetAnd How to Stop It","type":"book","URL":"http://www.worldcat.org/isbn/0300151241"},
{"id":"zivanovicDevelopmentCyberneticSculptor2005","abstract":"Edward Ihnatowicz (1926-1988) built one of the world's first computer-controlled robotic sculptures, The Senster, in 1968-70. Rather than concentrate entirely on this groundbreaking and influential piece of work, this paper describes the stages he went through in developing his ideas, as an illustration of how a conventional artist became a cybernetic sculptor.","author":[{"family":"Zivanovic","given":"Aleksandar"}],"citation-key":"zivanovicDevelopmentCyberneticSculptor2005","container-title":"C&C '05: Proceedings of the 5th conference on Creativity & cognition","DOI":"10.1145/1056224.1056240","event-place":"London, United Kingdom","ISBN":"1-59593-025-6","issued":{"date-parts":[[2005]]},"page":"102108","publisher":"ACM","publisher-place":"London, United Kingdom","title":"The development of a cybernetic sculptor: Edward Ihnatowicz and the senster","type":"paper-conference","URL":"http://dx.doi.org/10.1145/1056224.1056240"}
{"id":"zivanovicDevelopmentCyberneticSculptor2005","abstract":"Edward Ihnatowicz (1926-1988) built one of the world's first computer-controlled robotic sculptures, The Senster, in 1968-70. Rather than concentrate entirely on this groundbreaking and influential piece of work, this paper describes the stages he went through in developing his ideas, as an illustration of how a conventional artist became a cybernetic sculptor.","author":[{"family":"Zivanovic","given":"Aleksandar"}],"citation-key":"zivanovicDevelopmentCyberneticSculptor2005","container-title":"C&C '05: Proceedings of the 5th conference on Creativity & cognition","DOI":"10.1145/1056224.1056240","event-place":"London, United Kingdom","ISBN":"1-59593-025-6","issued":{"date-parts":[[2005]]},"page":"102108","publisher":"ACM","publisher-place":"London, United Kingdom","title":"The development of a cybernetic sculptor: Edward Ihnatowicz and the senster","type":"paper-conference","URL":"http://dx.doi.org/10.1145/1056224.1056240"},
{"id":"CsoundWebAssembly","abstract":"This paper describes WebAssembly AudioWorklet (WAAW)\r\nCsound, one of the implementations of Web Audio Csound.\r\nWe begin by introducing the background to this current implementation, stemming from the two first ports of Csound\r\nto the web platform using Native Clients and asm.js. The\r\ntechnology of WebAssembly is then introduced and discussed in its more relevant aspects. The AudioWorklet interface of Web Audio API is explored, together with its use in\r\nWAAW Csound. We complement this discussion by considering the overarching question of support for multiple platforms, which implement different versions of Web Audio.\r\nSome initial examples of the system are presented to illustrate various potential applications. Finally, we complement\r\nthe paper by discussing current issues that are fundamental\r\nfor this project and others that rely on the development of\r\na robust support for WASM-based audio computing.","author":[{"family":"Yi","given":"Steven"},{"family":"Lazzarini","given":"Victor"},{"family":"Costello","given":"Edward"}],"citation-key":"CsoundWebAssembly","event-place":"Berlin, Germany","issued":{"date-parts":[[2018]]},"publisher-place":"Berlin, Germany","title":"WebAssembly AudioWorklet Csound","type":"paper-conference","URL":"https://mural.maynoothuniversity.ie/16018/"},
{"id":"StrudelWAC2022","publisher":"Zenodo","DOI":"10.5281/zenodo.6768844","language":"eng","title":"Strudel: Algorithmic Patterns for the Web","issued":{"date-parts":[[2022,6,28]]},"abstract":"This paper introduces Strudel (or sometimes StrudelCycles), an alternative implementation of the Tidal (or Tidal-Cycles) live coding system, using the JavaScript programming language. Strudel is an attempt to make live coding more accessible, by creating a system that runs entirely in the browser, while opening Tidals approach to algorithmic patterns (Mclean 2020) up to modern audio/visual web technologies. The Strudel REPL is a live code editor dedicated to manipulating Strudel patterns while they play, with builtin visual feedback. While Strudel is written in JavaScript, the API is optimized for simplicity and readability by applying code transformations on the syntax tree level, allowing language operations that would otherwise be impossible. The application supports multiple ways to output sound, including Tone.js, Web Audio nodes, OSC (Open Sound Control) messages, Web Serial andWeb MIDI. The project is split into multiple packages, allowing granular reuse in other applications. Apart from TidalCycles, Strudel draws inspiration from many prior existing projects like TidalVortex (McLean et al. 2022), Gibber (Roberts and Kuchera-morin 2012), Estuary (Ogborn et al. 2017), Hydra (Jack [2022] 2022), Ocarina (Solomon [2021] 2022) and Feedforward (McLean 2020).","author":[{"family":"Roos", "given":"Felix "},{"family":"McLean","given":"Alex"}],"note":"Demo paper","event-place":"Cannes, France","type":"paper-conference","event":"Web Audio Conference 2022 (WAC 2022)"}
]